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CAREER EXPERIENCE:
Reel FX Creative Studios
Lighter / Compositor (Nuke, Maya)
Lighting in Maya and Compositing in Nuke, my responsibilities include creating and fine-tuning lighting for use in the production of live-action and fully CG images. Also the rendering and compositing of those layers together to create image sequences for final delivery.
Speedshape
Lead Compositor (Nuke)
Responsible for OpenEXR Multi-Pass Compositing, Rotoscoping, 2D/3D Tracking, Paint, Matte Extraction, Pipeline Development, Tool Creation, Look Development, 3D Intergration, and Digital Artist Cross Training. Working with such brands as GM, Ford, Audi, Mazda, Cadillac, Saturn, Bush Beans, Jeep, HP, Jack Daniels, Saab, Nissan, Oakely Sunglasses, ex-cetera.
'G-Force'; With a Twist Studio
Rotoscoping Artist (Nuke)
Freelance Stereoscopic Rotoscoping artist, responsible for the conversion of 2D plates to 3D plates.
'Red Cliff 2'; With a Twist Studio
Rotoscoping Artist (Nuke)
Freelance Rotoscoping artist on John Woo's 'Red Cliff 2'.
'Dinosaurs 3D: Giants of Patagonia'; Studio Virtuel Concept
Stereoscopic Compositor (Shake/After Effects)
Freelanced for the stereoscopic IMAX film. Responsible for Multi-Pass Compositing, Rotoscoping, Paint, and 2D Particle Effects. *Nominated for Outstanding VFX in a Special Venue Project at the 6th Annual VES Awards.
'Baby Blues'; Symposium Productions
VFX Supervisor / Lead Compositor (Shake/After Effects)
Responsible for VFX Supervision, Compositing, 2D/3D Tracking, Rotoscoping, and collaborated on a number of Practical Effects with the Special Effects Department. Head of VFX Department, which added VFX budget, and crew responsibilities including managing interns.
Speedshape
Lead Compositor (Nuke)
Responsible for OpenEXR Multi-Pass Compositing, Rotoscoping, 2D/3D Tracking, Paint, Matte Extraction, Pipeline Development, Tool Creation, Look Development, 3D Intergration, and Digital Artist Cross Training. Working with such brands as GM, Ford, Audi, Mazda, Cadillac, Saturn, Bush Beans, Jeep, HP, Jack Daniels, Saab, Nissan, Oakely Sunglasses, ex-cetera.
'G-Force'; With a Twist Studio
Rotoscoping Artist (Nuke)
Freelance Stereoscopic Rotoscoping artist, responsible for the conversion of 2D plates to 3D plates.
'Red Cliff 2'; With a Twist Studio
Rotoscoping Artist (Nuke)
Freelance Rotoscoping artist on John Woo's 'Red Cliff 2'.
'Dinosaurs 3D: Giants of Patagonia'; Studio Virtuel Concept
Stereoscopic Compositor (Shake/After Effects)
Freelanced for the stereoscopic IMAX film. Responsible for Multi-Pass Compositing, Rotoscoping, Paint, and 2D Particle Effects. *Nominated for Outstanding VFX in a Special Venue Project at the 6th Annual VES Awards.
'Baby Blues'; Symposium Productions
VFX Supervisor / Lead Compositor (Shake/After Effects)
Responsible for VFX Supervision, Compositing, 2D/3D Tracking, Rotoscoping, and collaborated on a number of Practical Effects with the Special Effects Department. Head of VFX Department, which added VFX budget, and crew responsibilities including managing interns.
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TOOL EXPERIENCE:
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CODING LANGUAGES:
- Python
- TCL
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EDUCATION:
Savannah College of Art and Design (2002-2006)
BFA: Visual Effects / Film and Television
GPA: 3.5; Magna Cum Laude
Film Credits:
"G-Force", "Red Cliff 2", "Dinosaurs 3D: Giants of Patagonia", "Baby Blues".
AWARDS:
- 6th Annual VES Awards Nominee: 'Dinosaurs 3D: Giants of Patagonia', Nominated for Outstanding Visual Effects in a Special Venue Project.
- 2006 SCADemy Awards Nominee: Best Visual Effects for the short film 'Golden Goodbye'.'
- National and SCAD Dean's List (2002 - 2006)
CONTACT INFO:
Phone - 317.341.5279
Email - doug@doughogan.com
Portfolio Website - http://www.doughogan.com
(All references available upon request)
