After the success of the Ford F150 and Mustang Productions projects, Speedshape was awarded the job known around the hallways as ‘Mustang Burnout’. A two phase production featuring photo-realistic environments, factory accurate color shifting, and more FumeFX smoke than you can shake a stick at. The goal of this spot was to not only show [...]

The Ford F150 project was an online web campaign designed to debut the new 2009 model in a photo realistic, cinematic environment. The whole project was very demanding, challenging, and also just plain fun to be honest. The rugged identity of the F-150 brand allowed us to really make the car and environment look dirty [...]

Before the launch of NBC’s ‘Knight Rider’, Ford held a competition for aspiring film makers to tell them what the Mustang means to them. Thousands of entries followed, and the best were picked to air during NBC’s new Thursday night show. Speedshape was then brought in towards the end of the project and asked to [...]

‘Baby Blues’ starring Colleen Porch and Ridge Canipe, was filmed during my senior year at the Savannah College of Art and Design. I became involved with the project very early on during the script writing phase. And was responsible for the planning and execution of all the visual effects in the film. My official job [...]

‘Dinosaurs 3D: Giants of Patagonia’ was my first freelance feature film gig right after graduation from SCAD. And man, talk about starting off with a bang! Not only was the film in IMAX, it was also debuting on the scene just before stereoscopic films really started to take off. As such being the case, a [...]

Rotoscoping is usually the red headed step child of Compositing. Everyone just wants to avoid it. But this rotoscoping job for John Woo’s epic ‘Red Cliff 2′ was an absolute blast. The shot I was tasked with was one of the more complicated. It was a scene depicting an epic navel battle in the dead [...]