goodbye sabre, hello nuke

Some really great news has just come off the wire for all us Nuke Compositors out there! FXGuide is reporting that ILM has purchased a bunch of Nuke licenses. Raising the question, “Is ILM shelving their proprietary compositing system Saber?”
Well I’m sure they wouldn’t completely throw out their old pipeline, because the cost to do so would just be enormous. But it is very cool to see a major studio finally jumping on board the Nuke wagon! And promises for some exciting opportunities for the future.
Welcome to the family ILM!
LINK: ILM Purchases Nuke Site Licence
Hot on the heels of its management buyout, The Foundry has completed a major deal with Industrial Light & Magic, Lucasfilm Ltd’s multiple Academy Award-winning visual effects studio. ILM has purchased a site licence for Nuke.
ILM’s visionary work has earned thirty-seven Academy Award® nominations for Best Visual Effects.Lucasfilm’s chief technical officer, Richard Kerris, commented, “ILM has a history in providing breakthrough imagery for production, and to do that our artists need to be equipped with the best possible tools. We believe Nuke is a forerunner in the compositing field. The Foundry’s investment in research and development and its customer-focused approach have produced a flexible, artist-focused toolset. We are excited to work with The Foundry and to see where these new possibilities will take our work.”
“Nuke allows us to leverage our 3D pipeline while remaining in the compositing environment, which puts a great deal of power into the hands of the compositors,” explained Pat Tubach, ILM’s compositing department supervisor. “We work on very complex shots and the remarkable speed at which Nuke operates means our artists can focus on the art of visual effects and not have their creativity impeded by a software speed limit.”
Bill Collis, CEO of The Foundry, commented, “ILM is a huge force in the world of visual effects and we are thrilled that they have chosen to add Nuke as a key tool in their compositing workflow. We are very excited to see where our working relationship takes us.”
















jordan
more like goodbye shake… ilm’s been using shake for years now… recent people there said that they are given the option of comping in shake or nuke (or both maybe) which i think is really rad and progressive to fit a couple softwares (for compers) into one pipeline…
Doug Hogan
Very true. Just like pretty much every other studio out there, they have been using Shake for a long while now. Hell even Sabre, when you really get down to it, was pretty much just a re-engineered version of Shake anyways. But I am surprised that the studio that led the development of OpenEXR didn’t switched over to Nuke a long long time ago.
That is really cool though that their Compositors have the choice to use either Shake or Nuke. But I’ve got a feeling that they’re probably leaning more towards the latter. I mean when you have to choose between 1024 channels in Nuke vs. 4 in Shake…the choice is pretty clear, ha. I know personally I could never go back. What do you think?
jordan
yea, i completely agree! it’s easy to point out the benefits of nuke, well to a compositor anyway. not always as easy to point out the cost-vs-productivity to the people in charge that foot the bill, though, until it’s actually in production and they realize “wow, nuke can do that, we’ll be so much faster now…” the channels, hell, the 3d pipeline alone would be enough to warrant a switch from outdated techniques…
hopefully more companies will follow suit…